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RUBENS, Pieter Pauwel
Return of the Prodigal Son

ID: 64182

RUBENS, Pieter Pauwel Return of the Prodigal Son
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RUBENS, Pieter Pauwel Return of the Prodigal Son


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RUBENS, Pieter Pauwel

Flemish Baroque Era Painter, 1577-1640  Related Paintings of RUBENS, Pieter Pauwel :. | Perseus Liberating Andromeda | The Virgin and Child in a Garland of Flower | The Apotheosis of Henry IV and the Proclamation of the Regency of Marie de Medicis on May | Adoration of the Magi | The Four Continents |
Related Artists:
Carl Philipp Fohr
German, 1795-1818,German painter and draughtsman. His first drawing lessons, from the age of 13, were from Friedrich Rottmann (1768-1816), the father of the painter Carl Rottmann. In 1810 the Darmstadt Court Councillor, Georg Wilhelm Issel, discovered Fohr sketching at Stift Neuberg near Heidelberg and, the following year, invited him to Darmstadt and provided encouragement and financial support. From 1813 Fohr carried out commissions for Grand Duchess Wilhelmina of Hesse, for whom he produced a Sketchbook of the Neckar Region, a collection of views and historical subjects (30 watercolours; 1813-14) and also a Baden Sketchbook (30 watercolours, 1814-15; both Darmstadt, Hess. Landesmus.). These far surpassed the usual level attained in this genre in their sharpness of detail, delicacy of colour and pictorial inventiveness. The Crown Princess granted him an annual pension of 500 guilders. From July 1815 to May 1816, Fohr was a student of landscape painting at the Kunstakademie in Munich.
Fernando Gallego
1466-1507 Spanish Fernando Gallego Galleries was a Spanish painter, his art is regarded as a gothic style. It is thought that he was born in Salamanca, Spain, an his first knowned works were in the cathedrals of Plasencia and Coria, in Caceres (Spain). His most famous knowned works are: The Retablo of San Ildefonso, in the Cathedral of Zamora The Sky of Salamanca, in the University of Salamanca. The retablo of Ciudad Rodrigo, now in the Tucson Museum, University of Arizona, USA. The Arcenillas panels, placed in Zamora. San Acacio and the 10,000 Martyrs, at the Meadows Museum. The last time that he was named in a document is in 1507, but we do not know the date of the death.
Nicolas Mignard
(1606-1668) was a French 17th Century painter. He spent most of his active life in Avignon and was the older brother of Pierre Mignard. Nicolas Mignard was born in Troyes in 1606. There, he studied painting with a local master. After traveling to Fontainebleau, Mignard came to Avignon in 1632. He then traveled to Rome with Cardinal Archbishop of Lyon. Mignard came back to Avignon in 1636, after having executed multiple series of etching in Rome. There, he mostly painted for religious institutions. Mignard spent the end of his life in Paris, where he became a successful portrait painter. Mignard left Paris after a visit of King Louis XIV and his Court in Avignon. King Louis XIV decided to bring Mignard to Paris. Mignard eventually joined the Academie Royale. Mignardes spending most of his life in Avignon made his career somewhat overshadowed by his little brother Pierre, who was installed in Paris. After his death, paintings by Nicolas Mignard mostly stayed in Avignon or in small cities around Avignon. During the French Revolution, as these paintings were taken over, most of them were attributed to Pierre Mignard. His art is now rediscovered. His style is typical of the Italianate classicizing aesthetic that dominated seventeenth-century France, and obviously was very much influenced by French classical Baroque painter Poussin. Nicolas Mignard died in 1668 in Paris.






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